My moving images are focused on the repetitive nature of my daily life and its surroundings. The monotonous daily ritual is deconstructed and reconstructed in a fresh structure, utilizing a time-consuming process of hundreds of etchings or hand drawings. I portray moving images of the circular mundane aspects of everyday life in an abstract reconstruction of reality. Trying to locate my identity, I seek it in the different geographic and cultural milieus through which I have passed. The cyclical routine is a central metaphor for not only the travels between my two home countries, South Korea and the United States, but also of my daily life and its' rituals.